John Link Resume

Full name: Lawrence John Link II
Address: 3382 Sandra Drive, Kalamazoo, MI 49004
Phone: 616/381-0896 (home); 616/387-2453 or 616/387-2436 (office)
E-mail: link@kickassart.org

Education:

• Master of Fine Art in Painting, University of Oklahoma, 1968
• Bachelor of Arts in Philosophy and English, University of Oklahoma, 1965
• Bishop McGuinness High School, Oklahoma City, OK, 1960

Appointments:

• Western Michigan University, Kalamazoo, Michigan, Professor, Department of Art, 1985-present
• Western Michigan University, Kalamazoo, Michigan, Professor and Chairperson, Department of Art, 1980-85
• Virginia Tech, Blacksburg, Virginia, Professor and Head, Department of Art, 1979-80
• Western Michigan University, Kalamazoo, Michigan, Associate Professor and Chairperson, Department of Art, 1977-79
• Southern Illinois University, Carbondale, Illinois, Instructor and Assistant Professor, Head of Drawing, Painting and Prints, 1968-77

Teach Freshman through Graduate Drawing, Painting and Computer Imaging, Freshman Design, Senior and Graduate level seminars in Art Theory, Freshman level Art Appreciation, Studio for non-majors, Senior and Graduate level Contemporary Art History, Censorship, and undergraduate art writing courses; developed a series of studio courses for non-art majors for WMU; developed major revisions of studio curricula (BA, BS, and BFA) at WMU; developed computerized multi-media supplements for art history courses; conducted first courses in AliasStudio at WMU; developed Web based supplements for art history study; developed and installed the art department's first visual computing lab, created Art Talk, a web based message system for student discussion of art theory.

Exhibition activity:

• Solo exhibition, "Pre-Postmodern II," Patricia Scott Memorial Gallery, Ohio University, Chillicothe, OH, 2000
• Virtuosity: The Juried Exhibition, Park Avenue Armory, Art Communication International, Philadelphia, Pennsylvania, 1995
  • Photographs represented by O.K. Harris Gallery, New York City, New York, Allan Stone Gallery, Louis K. Meisel Gallery, and Kouros Gallery, New York City, New York
• Color reproduction of a computer generated image, Digital Video, December, 1994
• Two color reproductions of computer generated images, Digital Gallery, Desktop Video World, March, 1994
• Group exhibition, Illinois State University, 1993
• West Meets East, Slusser Gallery, Univeristy of Michigan, Ann Arbor, Michigan, 1992
• Group Show, Robert L. Kidd Gallery, Birmingham, Michigan, 1987
• Two-Person Show, Pontiac Art Center, Pontiac, Michigan, 1983
• One-Man Show, Laura A. Sprauge Gallery, Joliet Junior College, Joliet, Illinois, 1982
• Nine Michigan Painters, Calvin College, Grand Rapids, Michigan, 1981
• Radford '80, Radford '80 Festival of the Arts, Radford, Virginia, 1980
• Group Show, Virginia Western Community College, Roanoke, Virginia, 1980
• Bold Statements: Painting (Five Painters), Southeastern Center for Contemporary Art, Winston-Salem, North Carolina, 1980
• First National Invitational Drawing Show, Springfield Art Association, Springfield, Illinois, 1979
• Twelfth Annual National Drawing and Small Sculpture Show, Del Mar College, Corpus Christi, Texas, 1978
• One-Man Show, Purdue-Indiana University, Fort Wayne, Indiana, 1978
• National Exhibition of Works on or of Paper & Clay, Memphis State University, Memphis, 1978
• Group Show, Kalamazoo Institute of Arts, Kalamazoo, Michigan, 1978
• Group Show, Fred Jones Memorial Museum, University of Oklahoma, Norman, Oklahoma, 1978
• Anderson Winter Show, Anderson Art Center, Anderson, Indiana, 1978
• One-Man Show, Fred Jones Memorial Museum, University of Oklahoma, Norman, Oklahoma, 1976
• New Directions, The Rising Company, St. Louis, Missouri, 1976
• Group Show, Sony Building, Tokyo, Japan, 1976
• Group Show, Bank of America World Headquarters, San Francisco, California, 1976
• Work Project, National Research Library, Ottawa, Canada, 1975
• National Invitational Drawing Exhibition '75, Mitchell Gallery, Southern Illinois University, Carbondale, Illinois, 1975
• Group Show, University of Alaska, Fairbanks, Alaska, 1975
• Group Show, Takashimaya Co., Ltd, Tokyo, Japan, 1975
• Group Show, San Mateo County Arts Council, San Mateo, California, 1975
• Group Show, Public Library, Huntington Beach, California, 1975
• Group Show, Nevada State Museum, Carson City, Nevada, 1975
• Group Show, Museum of Art, San Mateo, California, 1975
• Group Show, Huntington Beach Cultural Center, Huntington Beach, California, 1975
• Group Show, Fine Arts Center, Colorado Springs, Colorado, 1975
• Group Show, Cuesta College, San Luis Obispo, California, 1975
• Group Show, County Government Building, Redwood City, California, 1975
• Group Show, Corcoran Gallery, Washington, D.C., 1975
• Group Show, College of Idaho Arts Center, Caldwell, Idaho, 1975
• Appalachian National Drawing Competition, ASU Art Gallery, Boone, North Carolina, 1975
• World Print Competition '73 San Francisco Museum of Art, San Francisco, California, 1973
• Second Annual Hawaii National Prints Exhibition, Honolulu Academy of Arts, Honolulu, Hawaii, 1973
• Edingboro Gems and Metals Invitational, Edingboro College, Edingboro, Pennsylvania, 1972
• Xerographic and Electrostatic Prints National, The Art Center of the World, Davis, California, 1971
• New Art Association Exhibition, College Art Association Convention, Chicago, Illinois, 1971
• Instant Faculty Show, California Institute of the Arts, Valencia, California, 1971
• Twelfth Annual National Exhibition of Prints and Drawings, Oklahoma Art Center, Oklahoma City, Oklahoma, 1970
• Fifteenth Annual Mid-South Exhibition, Brooks Memorial Art Gallery, Memphis, Tennessee, 1970
• Eleventh Midwest Biennial, Joslyn Art Museum, Omaha, Nebraska, 1970
• All College Show, Contemporary Arts Foundation Gallery, Oklahoma City, Oklahoma, 1968
• Oklahoma Biennial, Oklahoma Art Center, Oklahoma City, Oklahoma, 1967
• Ninth Annual Eight State Exhibition, Oklahoma Art Center, Oklahoma City, Oklahoma, 1967
• Missouri Valley Drawing Exhibition, Wichita Art Association, Wichita, Kansas, 1967
• Annual Exhibition of Oklahoma Artists, Phillbrook Art Center, Tulsa, Oklahoma, 1967

Public Collections:

• Art Communications International, Philadelphia, PA (CD-ROM collection entitled Virtuosity: The Juried Exhibition)
• Smithsonian Institution, Washington, D.C.
• San Francisco Museum of Modern Art, San Francisco, CA
• California College of Arts and Crafts, Oakland, CA
• The Chase Manhattan Bank, New York, NY
• deYoung Museum, San Francisco, CA
• Farnell Gallery, Tokyo, Japan
• Osaka University of the Arts, Osaka, Japan
• Oregon State University, Corvallis, OR
• Takashimaya Co., Ltd., Tokyo, Japan
• Comsky Gallery, Beverly Hills, CA
• Golden State University, San Francisco, CA
• Arthur Anderson & Co., San Francisco, CA
• The Clorox Company, Oakland, CA
• Dymo Industries, Inc., Oakland, CA
• Fiberboard Corporation, San Francisco, CA
• Foremost-McKesson, Inc., San Francisco, CA
• Golden West Savings and Loan Assoc., Los Angeles, CA
• Great Western Savings and Loan Assoc., Los Angeles, CA
• Kaiser Industries Corporation, Oakland, CA
• Mitsubishi International Corporation, New York, NY
• Security National Bank, Walnut Creek, CA
• Shoong Foundation, San Francisco, CA
• Sunnyside Nurseries, Inc., Hayward, CA
• Wells Fargo Bank of North America, San Francisco, CA
• Southern Illinois University, Carbondale, IL
• Kalamazoo Arts Council, Kalamazoo, MI
• Municipal Tool & Machinery, St. Louis, MO

Publications:

• "Ideas Don't Matter," newCrit, August, 2002
• "Pollock: A Year Later," newCrit, April, 2002
• "Susan Roth's Toughness," newCrit, April, 2001
• "Apollo on the Muck," newCrit, September, 2000
• "Art, Life, and Harold Rosenberg," newCrit, July 2000
• "What ClarisWorks Users Should Know About the New Mac OS," ClarisWorks Journal, April, 1997
• Five previously published articles revised and included in The Complete Guide to ClarisWorks: Volume One,1995 (ISBN 0-9620807-6-4)
• "3-D Text That Stands Out," including color reproduction, Digital Video, December, 1994
• "Electronic Art History: An Approach that Works, But Not Without its Glitches," Proceedings of the ACM SIGUCCSS User Services 22nd Conference, October, 1994
• Digital Gallery, Desktop Video World, (they published 2 of my computer images, full color, along with editorial comments), March, 1994
• Tom Chmielewski, "Artist in the Machine," The World On Line, March, 1994, they published one computer image, full color.
• Tom Chmielewski, "Artist in the Machine," Kalamazoo Gazette, September 26, 1993, they published one full color computer image on the front page.
• "How to Add Symbols to Your Fonts," ClarisWorks Journal, May, 1993
• "How to Customize Your Fonts for ClarisWorks," ClarisWorks Journal, March, 1993
• "What You Should Know about Italics and Boldface," ClarisWorks Journal, February, 1993
• "AppleShare 3.0: A Better File Sharing System," AppleWorks Forum, November, 1992
• "Now an Even Faster Apple IIGS," AppleWorks Forum, October, 1992
• "UltraCat Unravels Disk Mysteries," AppleWorks Forum, August, 1992
• "What is synthLAB," editorial response in AppleWorks Forum, July, 1992
• "Sources of Fonts," sidebar in ClarisWorks Journal, May, 1992
• "How to Select High Quality Fonts," ClarisWorks Journal, April, 1992
• "Use Fonts to Help Convey a Message," ClarisWorks Journal, March, 1992
• "Start Thinking About Fonts," ClarisWorks Journal, February, 1992
• "GS/OS 6.0: The Most Significant Upgrade Yet," AppleWorks Forum, January, 1992
• "Towards a Higher Speed IIGS," AppleWorks Forum, October, 1991
• "Understanding SEG.PR - Part 3," AppleWorks Forum, October, 1991
• "Understanding SEG.PR - Part 2," AppleWorks Forum, September, 1991
• "Understanding SEG.PR - Part 1," AppleWorks Forum, August, 1991
• "Two Patches that Limit Student Access," AppleWorks Forum, June, 1991
• "Accelerate Your TransWarp GS Card - Part 3," AppleWorks Forum, May, 1991
• "Transfigured Memories," catalog essay for Kathryn Field exhibition, Grand Rapids Art Museum, Grand Rapids, Michigan, 1991
• "Accelerate Your TransWarp GS Card - Part 2," AppleWorks Forum, April, 1991
• "Improved RamFAST Card Now Recommended," AppleWorks Forum, March, 1991
• "Accelerate Your TransWarp GS Card - Part 1," AppleWorks Forum, March, 1991
• "How to Install GS/OS 5.0.3," AppleWorks Forum, January, 1991
• "Using Large RamFactor Cards," AppleWorks Forum, December, 1990
• "Making Better Use of a RamFactor," editorial comment, AppleWorks Forum, November, 1990
• "RamFAST: Speeds Up Hard Disks But Not Recommended," AppleWorks Forum, November, 1990
• "More About the HP DeskJet," letter in AppleWorks Forum, September, 1990
• "What Happens When Your Battery Fails?" in "Letters to NAUG," AppleWorks Forum, August, 1990
• "The Myth of Macintosh," in Apple - Special Interest Group, Dhahran Personal Computer Society, Saudi Arabia, July, 1990
• "AppleWorks GS 1.1 Review: The Page Layout Module," AppleWorks Forum, July, 1990
• "The Beauty of AppleWorks," in Apple - Special Interest Group, Dhahran Personal Computer Society, Saudi Arabia, May, 1990
• "AppleWorks GS 1.1 Review - The Word Processor," AppleWorks Forum, May, 1990
• "AppleWorks GS 1.1 is Robust and Powerful," AppleWorks Forum, April, 1990
• "Patches That Customize AppleWorks 3.0 - Part 3," AppleWorks Forum, April, 1990
• "Help Installing UltraMacros 3.1," letter in AppleWorks Forum, March, 1990
• "Patches That Customize AppleWorks 3.0 - Part 2", AppleWorks Forum, March, 1990
• "AppleWorks and the LaserWriter: An Advanced Discussion - Part 5," by John Link and Warren Williams, AppleWorks Forum, February, 1990
• "Patches That Customize AppleWorks 3.0 - Part 1" by John Link and Warren Williams, AppleWorks Forum, February, 1990 (Reprinted by the Boston Computer Society)
• "AppleWorks and the LaserWriter: An Advanced Discussion - Part 4," by John Link and Warren Williams, AppleWorks Forum, January, 1990
• "AppleWorks and the LaserWriter: An Advanced Discussion - Part 3," by John Link and Warren Williams, AppleWorks Forum, December, 1989
• "AppleWorks and the LaserWriter: An Advanced Discussion - Part 2," by John Link and Warren Williams, AppleWorks Forum, November, 1989
• "AppleWorks and the LaserWriter: An Advanced Discussion Part 1," by Warren Williams and John Link, AppleWorks Forum, October, 1989
• "Used LaserWriters Can Be Inexpensive," editorial comment in AppleWorks Forum, September, 1989
• "The Problem of Imitation," feature article, New Work, Fall 1987
• "Walter Darby Bannard," feature review, Arts, October 1986
• "Comment," guest critical editorial, American Craft, August/September, 1986
• "What, Me Worry?," feature article, Dialogue, May, 1986
• "The Hardness of Art," feature article, Arts, November 1985
• "Art Press Review," feature article, New Art Examiner, November 1985
• "About Computers and Art," feature article, Design for Arts in Education, July-August, 1985
• "Ruins of Taste," feature article, Arts, May 1985
• "About the Show," catalog essay for Pre-Postmodern: Good in the Art of Our Time, published by St. Lawrence University, Canton, New York, March, 1985
• "Speakeasy," feature article, New Art Examiner, June 1984
• "About Prints and Pictures," catalog essay for Strike Restrike: The Revitalized Print, published by Western Michigan University, January 1984
• "Betty's Black: Panaviews," review, New Art Examiner, November 1983
• "Night Thoughts and Daydreams: Symbolism and Art Nouveau," review, New Art Examiner, November 1983
• "Macyn Bolt," review, New Art Examiner, October 1983
• "Provincialism Dominates Selections from the Newmann Collection," feature article, New Art Examiner, July 1983

Published software:

• LockOut, a software program and manual for the Apple IIGS computer, published by SuperStuff and adopted by more than 400 schools in the United States, Canada, and China for controlling unauthorized access to the permanent BRAM settings of Apple IIGS computers in student laboratories, 1990-94
• Prevent, a software utility for keeping students from damaging preference settings for AppleWorks, published by National AppleWorks Users Group, Canton, Michigan, 1991-93
• Tester, a software utility for verifying hard disk data integrity, published by the National AppleWorks Users Group, Canton, Michigan, 1990-93
• SuperPatchNet, a software utility program and manual for AppleShare networks, published by Q-Labs, St. Claire Shores, Michigan, 1991-94
• SuperPatch, a software program and manual for the Apple // computer to customize AppleWorks, published by Q-Labs, St. Claire Shores, Michigan, 1989-97

References to my work:

• Fine Arts Museums of San Francisco (deYoung Museum holdings in "The Thinker ImageBase"), http://search.famsf.org/4d.acgi$Record?20647&=list&=1&=john%20link&=And&=1&=0&=keywords&=Yes&=&=&=&=Yes&=&=f, 2002
• World Wide Art Resources (Art History Index),
      http://www.wwar.com/artists/l-9.html,
      http://www.wwar.com/masters/l/link-john.html, 2002
• Ron Davis (Links to Artists) http://www.abstract-art.com/a00_index_folder/a06_artistslinks.html, 2002
• Zeal.com (Contemporary Visual Artist Publications) http://www.zeal.com/category/preview.jhtml?cid=900788 , 2002
• Zeal.com (Art Critics) http://www.zeal.com/search/results.jhtml?keyword=newcrit&scope=directory, 2002
• University at Buffalo (Spanish 450) http://www.acsu.buffalo.edu/~rfeal/SPA450/spa450.html, 2002
• University of Wisconsin, Stout (Lithography 217) http://www.uwstout.edu/artsci/artdes/ritchieb/litho217/main.htm, 2002
• Artists in Canada (Visual Artist Directory) http://www.artistsincanada.com/php/resource/review.php, 2002
• Artists in Canada (Publication Listing) http://www.artistsincanada.com/php/resource/publications.php, 2002
• InSpace Gallery (Links) http://www.inspacegallery.com/Links.html, 2002
• Sasakihirotarou site (Citation) http://www.media.is.tohoku.ac.jp/~kantarou/GB.html, 2002
• Inside New Orleans Com http://insideneworleans.com, 2002
• Access Oklahoma City http://accessOKC.com, 2002
• Art Resources on the web, Truckee Meadows Community College, Reno, Nevada, link to newCrit, http://www.tmcc.edu/library/art/artlinks.htm, 2001
• Web Sites for Research in All Core Courses, Farleigh Dickinson University, Teaneck, NJ, link to newCrit, http://alpha.fdu.edu/core/allcore/allcorewebsites.htm, 2001
• Abstract-art.com, link to newCrit, http://abstract-art.com/a00_index_folder/a07_links_gall_mus.html, 2001
• Terry Fenton Art Writing Site, http://www.sharecom.ca/fenton/links.html, 2001
• David Cohen, Artcritical.com, link to newCrit, http://www.artcritical.com/dc'sdozen/greenberg.htm, 2001
• Jeremy Hughto, Paintedland.com, http://www.paintedland.com/kokoro/archive/2001_04_01_archive.php, 2001
• Clement Greenberg Site, links to newCrit,
      http://www.sharecom.ca/greenberg/default.html,
      http://www.sharecom.ca/greenberg/taste.html,
      http://www.sharecom.ca/greenberg/autonomies.html, 2001
  
• From the Mayor's Doorstep, Gallery Listings and Websites with a Community of Interest, link to newCrit, http://piri.home.mindspring.com/gallery.html, 2001
• Kathleen Krull (Harcourt children's author), Lives of the Artists: Links and Activities, link to newCrit, http://home.san.rr.com/kathleenkrull/artact.html, 2001
• Jaquelin Loyd Contemporary (art gallery), Taos, NM, link to newCrit, http://www.jaqloydart.com/aa_nav_fldr/ae4_reviews_fldr/ae4o_bannard_abstract.html, 2001
• Vicky Perry, Artist statement, link to newCrit, http://www.vickyperry.com/statement.html, 2001
• Jim Dalton, Siena College, Loudonville, New York, "Arts: Digital," http://www.siena.edu/dalton/Links.htm, 2001
• Christiana Hainzl: University of Salzburg, Germany, "Der Kulturelle Kalte Krieg und die Rezeption amerikanischer Kunst in österreichischen Museen und privaten Institutionen" (translation: "The cultural cold war and the reception of American art in Austrian museums and private institutions," lists newCrit, http://www.sbg.ac.at/ges/people/wagnleitner/gui04/may30.htm, 2001
• Mapping the World by Heart, an in-service consulting service for K-12 teachers, with graduate credit arranged through the University of Maryland, newCrit used in "Art Kindergarten," http://www.mapping.com/sbsquests.html, 2001
• Candace Uhlmeyer (From Design History GD 2004 web site, The Art Institute of Dallas), http://web2.iadfw.net/owlfarm1/DHLinks.htm, 2001
• Miami Art Exchange, link to newCrit, http://www.miamiartexchange.com/pages/links.html, 2001
• Sloane Art Library under "Other Art and Architecture Resources: Art Image Links," link to newCrit, University of North Carolina at Chapel Hill, http://www.lib.unc.edu/art/remote_resources.html, 2001
• Terry Fenton, Art Critic, comment and link to About John Link, http://www.sharecom.ca/fenton/links.html, 2001
• Clement Greenberg Site, link to About John Link, http://www.sharecom.ca/greenberg/taste.html, 2001
• Piri Halaz, From the Mayor's Doorstep, July, 2000
• Keith Johnson, "My Curtain Call," AppleWorks Forum, December, 1995
• Chris Serreau, "Letters and Goodbyes from Our Authors," AppleWorks Forum, December 1995
• Editors, AppleWorks Forum, "Timeline" (a history of the Apple II and IIGS), includes 12 citations of my contributions to the Apple II community, December, 1995
• Editor, "Digital Gallery," Desktop Video World, March, 1994
• Tom Chmielewski, "Artist in the Machine," The World On Line, March, 1994
• Randy Brandt, in "What Advanced Users Should Know about AppleWorks 4," AppleWorks forum, January, 1994
• "New Disks in the NAUG Library," AppleWorks Fourm, January, 1994
• Barbara Walters, "WMU pupils attend class via computer," Kalamazoo Gazette, November 28, 1993
• Jerry Kindall and Claris Corporation, in AppleWorks 4 Reference Manual, Quality Computers, November, 1993
• Tom Chmielewski, "Artist in the Machine," Kalamazoo Gazette, September 26, 1993
• Cynthia E. Field, "Software for the 90s," Apple II Software: Opportunities for Apple II Users, Winter/Spring 1993
• Cathleen Merritt, cited LockOut and Prevent in answer to a letter from Shirley Spitz, in AppleWorks Forum, February, 1993
• Joe Kohn, in "Grapevine," inCider/A+: AppleII/Macintosh, January, 1993
• Editors, Quick-Source: The Directory of Educational Technology Resources, 1993-94
• Cecil Fretwell, in "How to Use an HP LaserJet III with Your Apple II," AppleWorks Fourm, December, 1992
• Cynthia E. Field, in "Classics in the Making," inCider/A+: Apple II/Macintosh, December, 1992
• David Spitzler, "Western Michigan University: Study guides for art history," in Reference Guide to NeXT in Higher Education, Fall, 1992
• Cynthia E. Field, in "Maximum Security," inCider/A+: Apple II/Macintosh, October, 1992
• Dennis Doms, in "Ask (or tell) Uncle Dos," A2-Central, September, 1992
• Beverly T. Watkins, in "Infomation Technology," The Chronicle of Higher Education, July 8, 1992
• Cecil Fretwell, in Apple Clinic, inCider/A+: Apple II/Macintosh, July, 1992
• Editor, in "Link connects art history with computer technology," in Wetern News, June 4, 1992
• Kathy Dalle-Molle, in "A Look at NeXT in Higher Education: Art History," NeXT on Campus, Spring, 1992
• Jonathan Littman, in "Higher Ed still a NeXT priority," NeXTWORLD, Summer, 1992
• "TWGS Reporter," in New Disks in NAUG's Library, AppleWorks Forum, February, 1992
• Cynthia E. Field, "Apple II Software Classics," Apple II Software: Opportunities for Apple II Users, Winter 1992
• Jeff Bell, in "LockOut: A Program that Protects Your System," AppleWorks Forum, February, 1992
• Editors, Quick-Source: The Directory of Educational Technology Resources, 1992-93
• Editors of inCider/A+, in "New-Product Focus, inCider/A+: Apple II/Macintosh, January, 1992
• Cecil Fretwell, in Apple Clinic, inCider/A+: AppleII/Macintosh, January, 1992
• Leonard Lanigan, in "HP LaserJet IIP Produces High Quality Output," AppleWorks Forum, December, 1991
• Martin Knight, in "SuperPatch Offers Exceptional DeskJet 500 Output," AppleWorks Forum, November, 1991
• Keith Johnson, in "Change the Dictionary Location," AppleWorks Forum, September, 1991
• Charlie Vanderford, in "Get Out!," inCider/A+, September, 1991
• Gary R. Morrison, in the manual for Q-Learning System, a utility for teachers who use computers to construct testing systems, 1991
• Cathleen Merritt and Warren Williams, in "How to Run AppleWorks on a Macintosh LC," AppleWorks Forum, July, 1991
• Raymond Negstad, in "Member Finds Source of TransWarp GS TTL Oscillators," AppleWorks Forum, June, 1991
• Nanette Luoma, in "Mail Order Dealers that Support the Apple II," AppleWorks Forum, June, 1991
• Dennis Doms, in "Ask (or tell) Uncle Dos," A2-Central, June, 1991
• Editorial, "AppleWorks News," AppleWorks Forum, March, 1991
• Editorial, "AppleWorks News," AppleWorks Forum, February, 1991
• Editorial, "Update," inCider/A+: Apple II/Macintosh, February, 1991
• Jim Trunzo, in "SuperPatch," inCider/A+: Apple II/Macintosh, January, 1991
• Editorial, "AppleWorks News," AppleWorks Forum, January, 1991
• John Sonnenberg, in "Member Recommends LockOut," AppleWorks Forum, December, 1990
• Robert J. Sindelir, in "Exordium," catalog essay for the Walter Darby Bannard Retrospective, South Campus Art Gallery, Miami-Dade Community College, Miami, Florida, November, 1990
• Editorial, "AppleWorks News," AppleWorks Forum, November, 1990
• Marc Apflstat, in "SuperWorks," inCider/A+:AppleII/Macintosh, October, 1990
• Jerry Kindall, in "ProDOS Power from AppleSoft," 8/16 - The Journal for Apple II Programming, October, 1990
• Pete Ross, in "AWGS Page Layout Bug," AppleWorks Forum, October, 1990
• TextTalker GS, published by the American Printing House for the Blind, Louisville, Kentucky, 1990, p. 63
• Editorial, "AppleWorks News," AppleWorks Forum, August, 1990
• Leon Wright, in "AppleWorks Add-Ons," Nibble, May, 1990
• Dennis Doms, editorial comment, A2-Central, May, 1990, p. 6.28
• Robert E. Daily, in "Problems Patching AppleWorks," AppleWorks Forum, April, 1990
• William Marriot, in "How to use GS/OS with AppleTalk," AppleWorks Forum, March, 1990
• John Denzer, in "New Disks Added to NAUG's Public Domain Library," cited and described Bank Sizer, AppleWorks Forum, March, 1990
• Tyler Weisman, in "AppleWorks 3.0, A Classic Is Improved," in The Apple IIGS Buyer's Guide, Winter, 1990
• Cathleen Merritt, cited SuperPatch in answer to a letter from Candice Govender, in AppleWorks Forum, February, 1990
• Dennis Doms, cited SuperPatch, A2-Central, February, 1990
• Warren Williams, in "AW 3.0 Companion and SuperPatch: AppleWorks a la Carte," AppleWorks Forum, February, 1990
• Dennis Doms, editorial comment, A2-Central, December, 1989
• Michael Wogan, in "AppleWorks and the II-Plus," A2-Central, December, 1989
• Dennis Doms, cited SuperPatch in response to a letter from Ralph Oshiro, A2-Central, November, 1989
• Cathleen Merritt, in "News of Interest to AppleWorks Users," AppleWorks Forum, September, 1989
• Editorial recommendation by Tom Weishaar, cited and described SuperPatch, A2-Central, August, 1989
• Jim Yeakley, in "AppleWorks Patches Explained," AppleGram, July, 1989
• Cathleen Merritt and James Smith, in "AppleWorks Add-ons," AppleWorks Forum, July, 1989
• Craig Crossman, in his syndicated column, "Personal Business Computers," (originates at Miami Herald, carried by major newspapers, including the LA Times and Chicago Tribune) cited SuperPatch, Miami Herald, July 17, 1989
• Robert C. Platt, in "A.P.P.L.E. Doctor," Call -A.P.P.L.E., May, 1989
• Craig Crossman, in his syndicated column, "Personal Business Computers," (originates at Miami Herald, carried by major newspapers, including LA Times, Chicago Tribune, etc.) cited SuperPatch, Miami Herald, June 26, 1989
• John Denzer, in "New Disks Added to NAUG's Public Domain Library," cited and described SuperPatch, AppleWorks Forum, March, 1989
• Editorial, "Apple II Top 10 Downloads," in AppleLink Update, February, 1989
• Editorial, "Apple II Top 10 Downloads," in AppleLink Update, January, 1989
• Oliver Rosevelt, in AppleLink Update, as part of a special feature for software gift giving, December, 1988
• Kenworth Moffett, Moffett's Artletter, November 1986, response to my feature review "Walter Darby Bannard," in Arts, October 1986
• Herb Cohen, American Craft, December/January, 1986/1987, response to my guest editorial "Comment," in American Craft, August/September, 1986
• Review of my lecture "On His Painting," presented to the symposium "State of the Arts: Image and Meaning" at Michigan Sate University, Lansing, Michigan, 1984; reviewed in New Art Examiner, June 1984
• Reginald Rowe, "Prescient Link," New Art Examiner, October 1984, to my feature article "Speakeasy" in New Art Examiner, June 1984
• Faith Heller, "Art That Speaks Boldly," Winston-Salem Journal, February 10, 1980
• Alexander Fried, "A Fine Show Picked From 70000 Prints," San Francisco Examiner, November 16, 1973

Lectures, Workshops, and Panels:

• "Hardenss of Art," National Conference on Undergraduate Research, Western Michigan University, 1994
• "Art and Computers," lecture at Michigan State University, 1993
• "Alternative Dialogues in a Post Modern Era," panel discussion, Mid-America College Art Association, Madison, Wisconsin, 1991
• "The Aesthetics of Pain," lecture at the University of North Carolina, Charlotte, North Carolina, 1989
• "Forever Kitsch," lecture at the University of Evansville, Evansville, Indiana, 1989
• "The New Vulgarity: Diseducation and the BFA," paper read at the 50th Mid-America College Art Association, Memphis, Tennessee, 1986
• Guest artist/critic at 1986 Emma Lake Artists Workshop, University of Saskatchewan, Saskatoon, Saskatchewan, Canada, 1986
• "The New Vulgarians," paper for the 1986 Emma Lake Artists Workshop, University of Saskatchewan, Saskatoon, Saskatchewan, 1986
• "Hardness of Art, Malice of Art," lecture at the David B. Steinman Festival of the Arts, St. Lawrence University, Canton, New York, 1985
• "The Role of the Mid-American Arts Journal," lecture and panel discussion at the 49th Annual Conference of the Mid-America College Art Association, Indianapolis, Indiana, 1985
• "The Malice of Art, the Avant-Garde, and the Academy," paper and lecture presented to the symposium "The Education of an Artist at the End of the 20th Century," at the University of Delaware, Newark, Delaware, 1984
• "On the Necessity of Computers," lecture presented to the Public Universities Caucus, National Association of Schools of Art and Design, Annual Meeting, Portland, Oregon, 1984
• "The Provinces and the Shaping of Taste," lecture presented to the 48th Annual Conference of the Mid-America College Art Association, Cleveland, Ohio, 1984
• "Politics in Art," panel discussion with Leon Golub and others following Golub's lecture and slide show, the 48th Annual Conference of the Mid-America College Art Association, Cleveland, Ohio, 1984
• "Artists and Museums: Natural Allies," panel discussion at the 48th Annual Conference of the Mid-America College Art Association, Cleveland, Ohio, 1984
• "The Task of Regional Criticism: What is it?," lecture and panel discussion at the 48th Annual Conference of the Mid-America College Art Association, Cleveland, Ohio, 1984
• "On His Painting," lecture presented to the symposium "State of the Arts: Image and Meaning" at Michigan Sate University, Lansing, Michigan, 1984
• "The Regional Artist: No Longer the Provincial Artist," lecture and panel at the Consortium of Visual Arts Coordinators, Randolf Street Gallery, Chicago, Illinois, 1983
• Encaustic Workshop, Ferris State College, Big Rapids, Michigan, 1983
• Encaustic Workshop, Joliet Junior College, Joliet, Illinois, 1982
• "Faculty Evaluation," lecture to the National Association of Schools of Art and Design, Annual Meeting, Portland, Maine, 1982
• Member, Aesthetic Task Force Panel Discussion of "Art as part of a Positive Future," Syncon Conference, Southern Illinois University, Carbondale, Illinois, 1972
• Moderator, two Panel Discussions between Edward Ruscha and Jan van der Mark; one for Buckminister Fuller's World Game, the other for the SIU community, Southern Illinois University, Carbondale, Illinois, February 1971

Consulting:

• Copy and technical editor, GESTEL Italia, Vicenza, Italy, 1994
• Beta Tester, Altsys Corp (Illustration software), Richardson, Texas, 1994
• Beta Tester, GESTEL Italia (3-d modeling software), Vicenza, Italy, 1994
• Beta Tester, Apple Computer (Ethernet hardware), Cupertino, California, 1993
• Beta Tester, Appsoft (Image processing software), Palo Alto, California, 1992
• Beta Tester, Altsys Corp (Illustration software), Richardson, Texas, 1992
• Alpha and beta tester, Claris Corporation (Integrated software), Santa Clara, California, 1991, 93
• Technical consultant, ClarisWorks Users Group, 1991-98
• Technical consultant, National AppleWorks Users Group, 1989-94
• Nominating jury, Awards in the Visual Arts 10, exhibition and fellowship program, Southeastern Center for Contemporary Art, Winston-Salem, North Carolina, 1990
• Technical consultant, National AppleWorks Users Group, 1989-95
• Nominating jury, Southeastern Center of Contemporary Art's Awards in the Visual Arts 9, exhibition and artist's fellowship program, Winston-Salem, North Carolina, 1989
• Juror, Annual Student Show, the University of Evansville, Evansville, Indiana, 1989
• National Endowment for the Humanities research proposal reviewer, 1988
• Nominating jury: Southeastern Center of Contemporary Art's Awards in the Visual Arts 7, exhibition and artist's fellowship program, Winston-Salem, North Carolina, 1988
• Service as National Association of Schools of Art Design consultant: Eastern Illinois University, 1986
• Nominating jury: Southeastern Center of Contemporary Art's Awards in the Visual Arts 5, exhibition and artist's fellowship program, Winston-Salem, North Carolina, 1986
• Service on National Association of Schools of Art Design Accreditation Team: Moorhead State University (Chair), 1985
• Organized and curated Pre-Postmodern: Good in the Art of Our Time, for St. Lawrence University, Canton, New York, March 1985
• Service on National Association of Schools of Art Design Accreditation Team: Winthrop College (Chair), 1984
• Service on National Association of Schools of Art Design Accreditation Team: Rhode Island College (Chair), 1983
• Service on National Association of Schools of Art Design Consultation Team: California State University at Long Beach, 1983
• Service on National Association of Schools of Art Design Accreditation Team: University of Connecticut, 1982
• Service on National Association of Schools of Art Design Accreditation Team: University of Maine at Orono, 1978
• Organized National Invitational Drawing Exhibit at Mitchell Gallery, Southern Illinois University, Carbondale, Illinois, February 1971
  

Grants:

• Herrick Foundation, Detroit, for implementation of Center for Computer Graphics at WMU ($50,000), 1994
• University Computing Services, WMU, for a project titled, "Study Aids for Art History," ($6,000) 1991-92
• National Endowment for the Humanities, Washington, for a project titled, "Moral Philosophy, Aesthetics and Contemporary Art" ($4,000), 1980
• National Endowment for the Arts, Washington, for a project titled, "Polaroid Camera Workshop" ($950), 1980
• Research Fund Award, Office of Research and Projects, SIU, for a project titled, "Changes: A Suite of Ten Lithographs" ($1,000), 1973-76
• Summer Research Award, SIU Graduate School, for a project titled, "Photocopy Images as Elements in Printmaking ($1,000), 1973
• Summer Research Award, SIU Graduate School, for a project titled, "Time and Its Implications" ($1,900), 1972
  

Awards:

• Radford '80 Exhibition, Radford '80 Festival of the Art, Radford, Virginia, 1st Place in painting, 1980
• World Print Competition '73, San Francisco Museum of Art, San Francisco, California, Edition Purchase Award, 1973
• Annual Exhibition of Oklahoma Artists, Phillbrook Art Center, Tulsa, Oklahoma, Cash Award for excellence in painting, Honorable Mention in drawing, 1968

Symposia Organized:

• The Taste Series, with Clement Greenberg, Derek Guthrie, Jane Allen and Buzz Spector, conceived and organized at Western Michigan University, 1983
• "Moral Philosophy, Aesthetics and Contemporary Art", a symposium with Clement Greenberg, Robert Pincus-Witten, Jan van der Mark and Donald Kuspit, conceived and organized at Virginia Tech, 1980
• "Christo and Van der Mark: A Dialogue", conceived and organized at Western Michigan University, 1977
  

Fund Raising (Western Michigan University):

• Annual Fund
• Art Department Fund
• Art Development Fund
• Art Excellence Fund
• Litho Stones Recycling Project
• Mary Coutant Scholarship Fund
• Pug Mill Project
• Rose Netzorg Kerr and James Wilfrid Kerr Educational Trust
• Several donations of art objects to the university permanent collection
• Walt Enz Memorial Award Fund
• Alias Research: AutoStudio software package

Fund Raising (New Art Examiner):

• Donation of 70 3-color prints (entire edition) from Ed Pasche
  

Service Awards:

• College of Fine Arts Outstanding Service Award, 1993
  

Selected Departmental Service: WMU

• Advisory Council
• Foundations Task Force
• Curriculum Committee
• Departmental Merit Pay Committee
• Departmental Policy Statement Committee
• Exhibitions Director Search Committee
• Ford Foundation Award Committee
• Graduate Program Committee
• James W. Kerr Award Committee
• Performance Review Committee
• Portfolio Review Committee
• Sabbatical Review Committee
• Sculpture Search Committee
• Art History Search Committee
• Tenure Review Committee
• Walt Enz Award Panel
• Departmental Teaching Excellence Review Committee
• Faculty Mentor Program
• Computer Imaging Search Committee

Selected Departmental Service: SIU

• Curriculum Committee
• Director's Advisory Committee
• New Programs Committee
• Student Work Force Committee

Selected Collegiate Service: WMU

• Assistant College of Fine Arts Dean Search Committee
• Associate College of Fine Arts Dean Search Committee
• CFA Computer Advisory Committee
• College Computer Committee
• College Curriculum Committee
• College of Fine Arts Advisory Committee
• Festival of American Art
• Steering Committee: WMU Community Arts Program
  

Selected Collegiate Service: Virginia Tech

• College Tenure and Promotion Committee
• Humanities Advisory Committee
• Humanities Personnel Committee
  

Selected Collegiate Service: SIU

• College of Communications and Fine Arts Operating Paper Committee
• Dean's Advisory Committee
  

University Service: WMU

• Assistant Vice President of Academic Affairs Search Committee
• College of Fine Arts Dean Search Committee
• Campus Planning Council
• CLEP Evaluation Committee
• Faculty Development Advisory Committee
• Graduate College Awards and Fellowships Committee
• Organization of Chairpersons and Directors, Executive Committee
• Presenters Committee, Plaza Circle for the Arts
• University Computer Literacy Committee
• University Consortium, Grand Rapids
• University Graduate Curriculum Committee
• University Permanent Art Collection Committee
• WMU Academy: Committee on Facilitating Research and Creative Activities
• College Computing Liaison Committee
• Senate Committee on University Computer Policy
• Director of University Computing and Communications Services Search Committee
• Undergraduate Studies Council
• Associate Director of University Computing and Communications Services Search Committee
• Faculty Research Awards Committee
  

National Service:

• Chicago New Art Association Board of Directors
• National Association of Schools of Art: Nominations Committee
• Oxbow Summer School of Art Advisory Boar
  

Other Service:

• Juror: Various local exhibits, including state fairs, prison shows, and art associations
• Presentations and lectures: Various local groups, including art leagues, public forums, high school art instructors, Kalamazoo Art Center docents, Kalamazoo Apple Computer Users Society, and Jackson (computer) User Group
• Developed and implemented salary equity plan for the Art Faculty at Virginia Tech; permanently increased salaries for 10 of 14 faculty members; 1980
• Western Michigan University's delegate to National Association of Schools of Art and Design, 1977, 78, 80, 81, 82, 83, 84; alternate delegate 1985, 86, 87, 88
• Faculty Advisor, student group: Western Artist Cooperative Organization, 1982

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